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Guitar Microphone

Photo 1
Accusound offers alternative methods of re-inforcing the acoustic sound of guitars or similar instruments with round sound holes such as cittern
 

  The device is attached to the sound-board by means of low-tack double-sided tape. Where especially sensitive surfaces are involved a special non-invasive technique is available.

 


1.
The Accusound contact microphone, photo 1, provides a method of picking up the many vibrational nodes distributed throughout an instrument's sound-board. Since the pattern of these nodes varies according to the note that is being played, a ‘hot spot’ type pick up will select less of these nodes.

All Accusound contact microphone are available in two electrical configurations:

A FET version and phantom power adaptor is supplied to connect to a standard mixing desk or balanced microphone input of a PA system. If phantom power is not available then a battery phantom power adaptor can be supplied, this can also be used into a back-line or guitar amplifier.

A non-FET version can be supplied if you wish to connect to a back-line or guitar type amplifier but do not wish to use a phantom power adaptor.


2. Perhaps the simplest method of reproducing the acoustic sound of any acoustic instrument is by using a microphone. To reduce the risk of feedback and to improve separation between instruments, Accusound has developed a method of mounting a miniature electret capsule in the sound hole directly underneath the strings (
photo 2, 3 & 4)

As our ears are not used to hearing the acoustic sound so close to the sound hole and strings, some equalisation may be required to correct the tonal balance of the output. This can usually be achieved by the tone controls of the input mixer or a separate equaliser.

3. The two devices described above are available as a combined system where each pickup has it's own volume control but a single signal is fed to the PA system.

All Accusound products are available as wireless systems.



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